Easter Lillies




Dearly Beloved:

In a wonderful epiphany that came to Louise while working on the green mosaic acanthus field, the lillies with volutes mutated from the planned green to opalescant, and a foliage detail became a flower. They in fact became Easter Lillies, as the completed mosaic first saw the light of day today, Easter Morning, 2004 when these pix were caught. Louise did a very long day yesterday, completing the garnet/starburst/flower about 10:45pm Saturday.

This present series of mosaic collaborations can be thought of as a dialogue between multiple imaginations and historic form, which is seen anew through sculptural interpretation. The change of scale and mutation of ornamentation from carved wood to mosaic glass supported by a three dimensional carved subsurface renews the perception of a familiar presence.

The mosaic has yet to be grouted, cleaned , and the whole piece finish oiled......but that allows for something yet to look foward to.

Our best to all this joyous day......Bennett and Louise

Posted by Bennett at 12:20 PM EDT

Updated: Sunday, 11 April 2004 12:34 PM EDT

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Sneak Preview/ A Leg to Stand On




Oh yes.....we have been busy, so I enclose a sneak preview of the next mosaic collaboration...."A Leg to Stand On." Do you have one? The carving stands about four and a half feet and is done from cherry. The relief on the thigh of the leg will enclose a green mosaic interpretation of the acanthus leaf embellishment typical of ball and claw foot legs. Extracted from the context of furniture, the form becomes a very strange presence: a bizaare convention.

Mosaic Horns


Greetings

We continue our collaborative adventures in mosaics on curved surfaces. This piece arrived in an unfolding sequence; the walnut curve with the inner surface covered with mosaic presented itself to the minds eye first.... an archetype: the sacred horns of ancient Crete, and flame. The volutes of red mosaic continued the sense of abstracted fire, and the black mosaic provided the field/figure dialogue. The turned base, also of walnut, grew in the imagination as a natural extention of the form. The circular plinth on which the horns sit fits over the shaft and rotates with lazy susan ball bearing hardware.

The piece doen't feel like a sculpture on a pedestal, but rather like a single integrated form.

Mosaic Post2/ note from Louise


Hi !

Just an exuberant note to share the completed post! It is FUN!!!! I love working like this and the more we do it the more fun it is!!! Sometimes we take turns on it and other times we work hand in hand; one cutting and one gluing and vice versa... it is a conversation between two people...there are exclamation points! there are pauses. always a surprise when finished, but no less a joy....

Love to all Louise PS Hi Geri....would you please forward to Bianca for me... we have no more room on the mailing site for Kodak...

mosaic post



Hi Anybody?

The post was a load bearing element of the Victorian front porch addition on our 200 year old farmhouse. The wood is unknown to me. The color is the green of very dense growth ring poplar, with no rot after 100 years in weather, and a very crisp, clean, carving texture.

Louise asked that I do the inside form of a loved gravy boat, and I thought infinity chamber done in mirror, and Louise thought about the shipment of mosaic glass she ordered through the net, and which was spread all over the keeping room table.



I spent Martin Luther King day in sub zero windchill in an unheated building on Gardiner's Island, bless the centuries old solar gain and wind shelter. Louise stayed home and did mosaic. Good thing.

This post will be an ongoing post on the mosaics blog at sykesgallery.com

best to all....BSB

mosaics/ note from Louise


Just thought I would put my two cents in as the collaborative projects of late have rarely, if ever, heard from this voice.........
Creative Collaboration is first of all an extraordinarily complex undertaking in a marriage. We are not just surviving it but enjoying it. I think the suspension of ego is vital but at the same time retaining a sense of ego is even more vital because one or the other of us is bound to be stronger at one point in time through the process or another. We take turns being the dominant voice... this is interesting... and I love the give and take and the "ah hah" moments we share... the vision can be shared and it is wonderful...also neither of us is kidding ourselves about the "importance" of the art we create, except insofar as it is a communal project in our life to share with others as they accept...or not...
One of the images that we get is in our first large mosaic rock... I put in some tiny mirrors and we both are just blown away by the infinite imagery . When you peer into the form and your eye falls into the mirror reflecting the other side of the cut (and look back and forth) the experience is startling...like peering into the depths of the stone... another time and place... it is artificial but nonetheless it is actually a visceral experience for me...it arouses a desire to see further and further...it is quite fun. Is this the meaning of getting stoned? (ha ha) If it is, then it "rocks" (once again ..ha ha) There is an odd feeling as if one is looking into the soul of the rock...maybe I am a little eccentric which is certainly not a way I have perceived myself but as I write this I suppose it could be an argument about me...but this isn't about me; it is about a process..
The current project is not quite finished...more beads need to be applied so as to increase the sense of "roe" growing from the center of the rock....roe is approporiate after all because it is eggs... eggs symbolize birth and birth is the energy of the collaboration... birth is life process and growth follows as does the growth of our selves in and through the process of the growth of our marriage.
The wonderful pictures that Bennett took of this current project are so exciting in their abstract form. And the light from the rock is breathtaking. The mirror in this rock is a further evolution and is taken a step further than the first piece and it is so incredible to see the infinite chamber in the stone.
The background of the stone piece is fun and I think it is important to share the evolution of the piece. I will let Ben decide whether it is important or not.
The rock is from West Virginia. We love rock and Ben has been stealing rock from other places our entire marriage. This is from a river that we went rafting on with our friend Bob Thompson about 16 years ago or more...Ben is not here otherwise he would remember the name of the river, I don't at the moment. The rafting was more of a stroll in the park but it was a beautiful day nonetheless...
The rock has stood in one or another of places in our yard here in Peconic. It recently calved (broke) into two pieces. The form of the rock is wonderfully sensual and abstract and it used to stand like sculpture... Those two pieces then became the basis of the current "incarnation."
As we looked at it and as Ben carved the negative space into it , it broke again. So rather than despair, we decided to turn it into a dutch door into the center of the rock. Also,Ben was painstakingly carving the grid into the stone so as to remove the section of rock... but we decide the grid had an energy all its own... quite fun, really...so the mirrors enhance the grid and make it accessible in different ways...
The complex metal work is rod, hammered and welded to create a hinge originally but the rock protested many times over and Bless Ben he repaired many a break with the rod. There is a patient man... it is quite complex in itself and really creates a sculptural form on the exterior....
Anyhow, I have to go to work now but felt it was high time that I wrote something... I have no idea whether any one is reading this, and oddly it doesn't really matter, what is most important is to forge ahead....

mosaics-III





Hello again

I think I made some progress with image quality shooting inside at night, so at the risk of boring everyone, here are four more pix which capture better the sense of stuff: fractured stone held together with hammered steel and bronze.

Hi Michelle, sorry I had your e-mail wrong. So you, and those with aol adresses would have missed the news a bit back that the "Letters to the Architect" are posted on the title page of sykesgallery.com. There is also an sculptural update, "the other side."

I'll leave everybody alone for awhile, but you can pester each other with the "reply all" button, cant you. Is anyone having fun, yet? .......love BSB

mosaics.....the big picture




Thanks to Martin, Jason, Mike and Karen for feedback and requests for other than detail shots of our recent collaboration. I'm not real pleased with the photos, but it will be next weekend before I can get outside and use natural light, and I am too lazy these days to pull out the seamless paper and blue ligthts and light meter and the hubris to pretend I know how to take pictures.

The rock came from the Greenbriar River in West Virginia and has occupied a changing place of honor in the back yard for probably fifteen years. The top part broke off while in transit from one place of honor to another. The starting concept for the piece was to open up a slit that would look into two convex surfaces facing each other, which would be lined with mirror mosaic. A fractured infinity chamber. I had thought to bind the stones back together, but Louise insisted they had to be hinged. Back to Stone and Steel. It produced a sort of Gothic Dutch door. The spiral incised on the front of the lower "door" rock was the path the dust took when I hammerdrilled one of the holes for attaching the rods.



I got one of the concave surfaces ground, but my diamond blade was almost worn out, and the sun was nearly set as I wacked out the shards from rough cutting the second bowl. I had planned to resume the next chance I got but Louise came to the rescue again and insisted that the faceted bowel was a perfect mosaic texture. Right on Lulu.



A little mirror, a few beads, glue, grout and the chance to look for infinite spaces receeding into the heart of the stone.

Louise wrote a nice reflection on this piece, but I cant get it from Microsoft into Kodak without retyping, so I will post it at sykesgallery.com when I pull it together to do a mosaic blog . Hope all are well...BSB

mosaics



A few shots of a recent 3-D mosaic collaboration. Thanks to Con Selski, of Archangel. Russia for the suggestion of hammering the steel rod that binds the stone, and hinges the movement of the fractured planes.

Maybe we should do a blog at sykesgallery.com called mosaics. Maybe next time we'll take a look at the hinge structure and large form. Is anbody interested?.....love BSB